The issues of copyright and ownership of media is one of the most widely disseminated issues on the Internet. A proliferation of free and pilfered material on the Internet has opened to floodgates to an epidemic where digital is synonymous with free and theft is no longer perceived as a crime. The entrenched indifference of today’s youth to copyright has created a grim situation for content creators and distributors alike.
Clearly, consumers love free. Personal preferences fades away at zero-cost. The psychology of free makes perfect sense because of the certainty that free affords There is no risk to free. But, if the collective trend of opinions dictates that digital goods are too cheap to matter, then no cost equates to no value; and no one can be expected to do quality work if it is simply going to be devalued, stolen, remixed, and re-purposed by others.
However, it’s not all so bleak! Grassroots movements like the Creative Commons License are affording producers of content some measure of control over the proliferation of the worthwhile work that they are doing.
Equitable access to media has never been more prolific, and libraries are able to assess and include vast amounts of new media every day under the umbrella of their collections thanks to the robust flexibility of CC. But, there’s a ticking time-bomb lurking beneath this unchecked exuberance.
This could have an amazing effect on libraries and other information-repositories that choose to build the necessary infrastructure for physically realising the potential of making. Artwork could be download and fabricated at the press of a button. Replacement or custom parts for repairing devices would become universally accessible. Physical trinkets, ephemera, and minatures could become as commonly shared and distributed online as songs, stories, and paintings.
And then somebody has to go and ruin it for everyone by uploading the blueprints for copyrighted materials such as Disney action figures or Matchbox cars.
Taken one step further, there a printable models for complex machines available online including fully-functional automobiles and guns. This isn’t a pipe dream either. A cursory trip to Google will pull up more stories than I’d care to link here about open source firearms, 3D-printed cars, and the unfortunate precedents they’ve set.
And there’s the rub: the robust flexibility of Creative Commons to encapsulate all sorts of content means it has to include those that can be weaponised. What library is going to risk allowing a minor access to amazing technology that can be used to print a firearm?
And so the powerful tool that is CC–when applied to physical fabrication–has been placed in the firing line. Government intervention and regulation of content is anathema to what CC represents, but it’s the only solution currently on the table for stemming the tide of objectionable objects. Regulating CC would impose rigidity on a fundamentally fluid system, and erode the pillars on which the Internet’s maturing approach to copyright has been built.
But what other choice is there?